M

Posts Tagged ‘inspiration’

Towards Knowledge Commons

In Design on November 1, 2011 at 12:27 pm

I promptly fell ill once my conference obligations at MobilityShifts wrapped up, which makes me extremely grateful for the fact that all the panels were audio-recorded. They promise that everything will be up about a month after the conference, so I look forward to listening to all the sessions I missed!

Both the panel with my fellow critical making colleagues and the workshop with Kiku Day were instructive as well as inspiring. Questions from the audience during the panel reaffirmed my desire to pursue work in the area of music knowledge transmission and preservation, while the workshop solidified for me a research trajectory to pursue outside of a university setting, as well as connecting researchers with similar interests to share their experiences and pool their resources. Sincerely thanks to everyone that came out, asked good questions, and even bought a PVC shakuhachi by the end of the workshop!

I also contribute a lot of the inspiration to one of the few sessions I did catch, which was Matt Gold’s session on “Open Education: The University and The Commons”. It got me excited thinking about the kinds of “knowledge commons” I’m imagining.

Mixing Business, Research & Pleasure

In ICTs on June 7, 2010 at 10:45 pm

I met Georgina Born at the Music Knowledge Conference this spring, and she was one of the most inspiring speakers at the planetary session. I am not surprised she is the one behind an interdisciplinary research project that will look at the way digital technology is changing musical practices all around the world (By ‘the world’I mean two researchers situated in UK and India respectively. Still, it’s the spirit that counts). It’s exciting to find such projects, as there are many initiatives with the objective of understanding how ICTs are changing musical practice/knowledge/communities/you-name-it, but they are rather scattered and isolated. This project is indicative of the kinds of exciting and emerging endeavour in the area that intersects music and information technologies, with implications that cuts across the boundaries of academia, government, performing arts organization, and business.

There is a real tension, however, between learning, researching and doing in the context of such ambitious agendas. That is, there is the subject-specialty that you have, and need to maintain; there is the inquisitive spirit that wants to expand your knowledge into related topics, and maybe even make unique contributions of your own; last but not least, there is grounding it in reality, and using it to better navigate and understanding the world of music in the constantly transforming landscape of information communication technologies. I know most people pick one to specialize in, but I always preferred the iconic man of the Renaissance over the Modern Specialist.

Music Knowledge Conference II

In Reflections on April 15, 2010 at 10:42 pm

(I’m still sorting through my notes for the conference, next post will be some highlights, this one is more of a reflection.)

The theme of this conference drew out a lot of ideas that otherwise might not have been shared, and it certainly helped me recognize emerging areas of research that is inevitably going to intersect with information science. It helped tremendously to engage, if only for a few days, in the ethnomusicological discourse. There were many ways of thinking and talking that I haven’t done in a while, and some of it came back to me quickly, while others felt a little rusty. I began the conference as a stranger, as an outsider. By the end of it, I felt that I was surrounded by friendly faces, having established what Wenger might call ‘legitimate peripheral participation’.

Just as I found Heisenberg’s uncertainty principle helpful in conceptualizing my life trajectories as I was graduating high school (the more precise the location of an atom is measure, the less precise the momentum and direction can be measured, and vise versa), it has been replaced by Wenger’s theories about community and individual identity vis-à-vis participation. While it is clear that I am capable of engaging and participating in many established communities (information science, ethnomusicology, design thinking, etc.), it has also become clear that I have to be careful in defining my own trajectories, instead of being drawn into a pre-established and well trodden path (for at least a day I considered seriously what it would take for me to study in Oxford). They are very important in what I ultimate want to do, but they are the means, not the end, and therefore a dependent variable. Now, how to define ‘the end’.

Follow

Get every new post delivered to your Inbox.